DISCIPLINE(S):
DISCIPLINE(S):
DISCIPLINE(S):
BRANDING
BRANDING
BRANDING
TYPOGRAPHY
TYPOGRAPHY
TYPOGRAPHY
Typography is what fascinates me most; it’s the foundation that fuels and shapes every design I create.
I’m an introverted graphic designer who speaks in curves, swashes, and unexpected letterforms. While I may hide behind my laptop, my typography is expressive and alive.
I’m an introverted graphic designer who speaks in curves, swashes, and unexpected letterforms. While I may hide behind my laptop, my typography is expressive and alive.
Paragraph
Paragraph
Letters are my playground, and each stroke is a secret conversation—bold enough to be seen, subtle enough to make you lean in.
Letters are my playground, and each stroke is a secret conversation—bold enough to be seen, subtle enough to make you lean in.
TOP 3 PROJECTS.
TOP 3 PROJECTS.
Degree Show Branding, 09/2025 - 12/25
Degree Show Branding, 09/2025 - 12/25
Degree Show Branding, 09/2025 - 12/25
Developed a unique exhibition strategy and brand identity for the end-of-year degree show. Lead and managed the class throughout the planning and execution of the final exhibition based on our winning pitch. Working collaboratively within a team, we developed a bold and distinctive exhibition concept centred around individuality and creative diversity within the class.
Developed a unique exhibition strategy and brand identity for the end-of-year degree show. Lead and managed the class throughout the planning and execution of the final exhibition based on our winning pitch. Working collaboratively within a team, we developed a bold and distinctive exhibition concept centred around individuality and creative diversity within the class.
Developed a unique exhibition strategy and brand identity for the end-of-year degree show. Lead and managed the class throughout the planning and execution of the final exhibition based on our winning pitch. Working collaboratively within a team, we developed a bold and distinctive exhibition concept centred around individuality and creative diversity within the class.
The visual identity and exhibition strategy were designed to celebrate each student’s unique practice while maintaining a cohesive overall brand. Throughout the project, we contributed to both the creative direction and the coordination of the final exhibition, ensuring the concept was effectively translated into the finished degree show experience.
The visual identity and exhibition strategy were designed to celebrate each student’s unique practice while maintaining a cohesive overall brand. Throughout the project, we contributed to both the creative direction and the coordination of the final exhibition, ensuring the concept was effectively translated into the finished degree show experience.
The visual identity and exhibition strategy were designed to celebrate each student’s unique practice while maintaining a cohesive overall brand. Throughout the project, we contributed to both the creative direction and the coordination of the final exhibition, ensuring the concept was effectively translated into the finished degree show experience.
Delia Derbyshire Poster 10/24 - 12/24
Delia Derbyshire Poster 10/24 - 12/24
Delia Derbyshire Poster 10/24 - 12/24
Design a lowercase typeface inspired by Delia Derbyshire and present it within a professional, industry-standard type specimen. Inspired by Delia Derbyshire’s experimentation with Morse code and electronic sound, I designed a brutalist-style typeface influenced by the architectural forms and visual culture of the era.
Design a lowercase typeface inspired by Delia Derbyshire and present it within a professional, industry-standard type specimen. Inspired by Delia Derbyshire’s experimentation with Morse code and electronic sound, I designed a brutalist-style typeface influenced by the architectural forms and visual culture of the era.
Design a lowercase typeface inspired by Delia Derbyshire and present it within a professional, industry-standard type specimen. Inspired by Delia Derbyshire’s experimentation with Morse code and electronic sound, I designed a brutalist-style typeface influenced by the architectural forms and visual culture of the era.
Each character was constructed using the Morse code sequence of its corresponding letter, creating a conceptual connection between communication, sound, and typography. The final outcome was presented through a professionally designed type specimen showcasing the typeface’s structure, functionality, and visual identity.
Each character was constructed using the Morse code sequence of its corresponding letter, creating a conceptual connection between communication, sound, and typography. The final outcome was presented through a professionally designed type specimen showcasing the typeface’s structure, functionality, and visual identity.
Each character was constructed using the Morse code sequence of its corresponding letter, creating a conceptual connection between communication, sound, and typography. The final outcome was presented through a professionally designed type specimen showcasing the typeface’s structure, functionality, and visual identity.
Typographic Calendar, 09/25 - 12/25
Typographic Calendar, 09/25 - 12/25
Typographic Calendar, 09/25 - 12/25
Define and communicate your emerging identity as a graphic designer by creating an original graphic design product intended for sale. I designed a custom typeface inspired by the visual language and playful nature of stickers, reflecting my emerging creative identity and interest in interactive design.
Define and communicate your emerging identity as a graphic designer by creating an original graphic design product intended for sale. I designed a custom typeface inspired by the visual language and playful nature of stickers, reflecting my emerging creative identity and interest in interactive design.
Define and communicate your emerging identity as a graphic designer by creating an original graphic design product intended for sale. I designed a custom typeface inspired by the visual language and playful nature of stickers, reflecting my emerging creative identity and interest in interactive design.
The typeface was showcased through a cohesive promotional calendar pack, which included a month-by-month calendar, interactive sticker sheets, a type specimen poster, and a year-at-a-glance calendar poster. The final outcome combined branding, typography, and product design to create an engaging and commercially viable design product.
The typeface was showcased through a cohesive promotional calendar pack, which included a month-by-month calendar, interactive sticker sheets, a type specimen poster, and a year-at-a-glance calendar poster. The final outcome combined branding, typography, and product design to create an engaging and commercially viable design product.
The typeface was showcased through a cohesive promotional calendar pack, which included a month-by-month calendar, interactive sticker sheets, a type specimen poster, and a year-at-a-glance calendar poster. The final outcome combined branding, typography, and product design to create an engaging and commercially viable design product.
MY PROCESSES.
MY PROCESSES.
I work in a primarily digital way, with my laptop acting as my main creative space from concept to final outcome. Most of my process happens on screen — developing ideas, testing layouts, refining type, and evolving designs through iteration.
I work in a primarily digital way, with my laptop acting as my main creative space from concept to final outcome. Most of my process happens on screen — developing ideas, testing layouts, refining type, and evolving designs through iteration.
However, I still value stepping away from the screen when needed, especially for typography projects, where my sketchbook becomes a space to experiment more freely and shape letterforms by hand. This balance lets me move fluidly between structured digital precision and more playful, tactile exploration, helping ideas grow naturally while keeping my workflow efficient and focused.
However, I still value stepping away from the screen when needed, especially for typography projects, where my sketchbook becomes a space to experiment more freely and shape letterforms by hand. This balance lets me move fluidly between structured digital precision and more playful, tactile exploration, helping ideas grow naturally while keeping my workflow efficient and focused.
EMAIL: Matthewwhitehouse13@gmail.com
INSTAGRAM: @matthew.design36
EMAIL: Matthewwhitehouse13@gmail.com
INSTAGRAM: @matthew.design36
