MATTHEW

MATTHEW

MATTHEW

MATTHEW

WHITEHOUSE.

WHITEHOUSE.

WHITEHOUSE.

WHITEHOUSE.

DISCIPLINE(S):

DISCIPLINE(S):

DISCIPLINE(S):

BRANDING

BRANDING

BRANDING

TYPOGRAPHY

TYPOGRAPHY

TYPOGRAPHY

Typography is what fascinates me most; it’s the foundation that fuels and shapes every design I create.

I’m an introverted graphic designer who speaks in curves, swashes, and unexpected letterforms. While I may hide behind my laptop, my typography is expressive and alive.

I’m an introverted graphic designer who speaks in curves, swashes, and unexpected letterforms. While I may hide behind my laptop, my typography is expressive and alive.

Paragraph

Paragraph

Letters are my playground, and each stroke is a secret conversation—bold enough to be seen, subtle enough to make you lean in.

Letters are my playground, and each stroke is a secret conversation—bold enough to be seen, subtle enough to make you lean in.

TOP 3 PROJECTS.

TOP 3 PROJECTS.

Degree Show Branding, 09/2025 - 12/25

Degree Show Branding, 09/2025 - 12/25

Degree Show Branding, 09/2025 - 12/25

Designed and won degree show branding proposal, where I designed the logo, colour palette, invite designs, poster designs, layouts, lanyards and more.

Designed and won degree show branding proposal, where I designed the logo, colour palette, invite designs, poster designs, layouts, lanyards and more.

Designed and won degree show branding proposal, where I designed the logo, colour palette, invite designs, poster designs, layouts, lanyards and more.

Designed and won degree show branding proposal, where I designed the logo, colour palette, invite designs, poster designs, layouts, lanyards and more.

Designed and won degree show branding proposal, where I designed the logo, colour palette, invite designs, poster designs, layouts, lanyards and more.

Designed and won degree show branding proposal, where I designed the logo, colour palette, invite designs, poster designs, layouts, lanyards and more.

Delia Darbyshire Poster 10/24 - 12/24

Delia Darbyshire Poster 10/24 - 12/24

Delia Darbyshire Poster 10/24 - 12/24

Designed a font based on Delia Darbyshire's music and then created a type spec poster to showcase it.

Designed a font based on Delia Darbyshire's music and then created a type spec poster to showcase it.

Designed a font based on Delia Darbyshire's music and then created a type spec poster to showcase it.

Designed a font based on Delia Derbyshire's music and then created a type spec poster to showcase it.

Designed a font based on Delia Derbyshire's music and then created a type spec poster to showcase it.

Designed a font based on Delia Derbyshire's music and then created a type spec poster to showcase it.

Typographic Calendar, 09/25 - 12/25

Typographic Calendar, 09/25 - 12/25

Typographic Calendar, 09/25 - 12/25

Developed a font face which was used in a calendar designed for designers to promote the font.

Developed a font face which was used in a calendar designed for designers to promote the font.

Developed a font face which was used in a calendar designed for designers to promote the font.

Developed a font face which was used in a calendar designed for designers to promote the font.

Developed a font face which was used in a calendar designed for designers to promote the font.

Developed a font face which was used in a calendar designed for designers to promote the font.

MY PROCESSES.

MY PROCESSES.

I work in a primarily digital way, with my laptop acting as my main creative space from concept to final outcome. Most of my process happens on screen — developing ideas, testing layouts, refining type, and evolving designs through iteration.

I work in a primarily digital way, with my laptop acting as my main creative space from concept to final outcome. Most of my process happens on screen — developing ideas, testing layouts, refining type, and evolving designs through iteration.

However, I still value stepping away from the screen when needed, especially for typography projects, where my sketchbook becomes a space to experiment more freely and shape letterforms by hand. This balance lets me move fluidly between structured digital precision and more playful, tactile exploration, helping ideas grow naturally while keeping my workflow efficient and focused.

However, I still value stepping away from the screen when needed, especially for typography projects, where my sketchbook becomes a space to experiment more freely and shape letterforms by hand. This balance lets me move fluidly between structured digital precision and more playful, tactile exploration, helping ideas grow naturally while keeping my workflow efficient and focused.